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Dear Dark Skinned Girl

  • The Effects of Racial Burnout As a Black Woman

    July 12th, 2021

    Growing up I’ve always been highly aware of my race. The culmination of racism, colourism and texturism made me aware that I was Black from a young age. Due to racism, I was constantly fed the idea that Blackness was undesirable, unworthy and unwanted by those around me. By age five I already started being told that I needed to have thick skin and to be strong simply because I exist as a Black person.

    Countless experiences with racism in predominantly white spaces and glaring stares in public places were the main reminders of my Blackness growing up and even up until now. As a Black woman, I can say that these racist encounters occur almost every day, not a day passes without the reminder of my melanated skin. 

    Imagine this, being reminded of your race so frequently, in a demeaning and dehumanising way, it eventually gets tiring. It is incredibly exhausting, to say the least. In one of my classes where I was the only Black person, I felt like my body was in constant flight or fight mode as I braced myself for the racist comments I knew I would walk into and have to endure. 

    This is known as Racial Battle Fatigue, which is described as the cumulative result of a natural race-related stress response to distressing mental and emotional conditions. These conditions emerged from constantly facing racially dismissive, demeaning, insensitive and/or hostile racial environments and individuals.

    Microaggressions 

    Microaggressions are like mosquitos, they can pop up anywhere, at any given time; so much so that their pestering nature is exasperating. Some people get bitten by mosquitos more than others just because of their ethnicity, religion or gender. The mosquitos can strike in the workplace, at the grocery store and at school, at any given moment.

    Given my experiences attending predominantly white schools, microaggressions have been a frequent form of racism for me. I’ve heard a fair share of racist and ignorant questions and statements countless times. Microaggressions may seem minor and minuscule on paper, but their effects are much larger. 

    Microaggressions are perceived as more subtle and implicit ways of expressing outright prejudice, colourism and discrimination. But their consistent and offensive nature shows how harmful they are to one’s mental wellbeing. 

    ”Can I touch your hair?”

    ”You aren’t like other Black people.”

    ”You’re pretty for a Black girl.”

    These statements build up, become heavy on the mind, and can lead an individual to feel tired to answer them because they’d have to explain their race and cultural identity over and over again. It’s not as simple as brushing them off as annoying remarks– it eventually becomes a burden to carry that you’re forced to encounter ever so frequently.

    The debate over the existence of racism

    Up until now people still debate over whether something is racist or not. They continue to question whether it was rooted in race and look for something else to blame the incident on. The issue with this is that it prevents us from sharing our experiences with racism and as a result silences our voices that are longing to be heard. 

    It’s draining to hear that people still don’t believe that hate crimes and denial of opportunities can be due to the colour of my skin. Because it stops us from recognising that racism is prevalent today, some people are still under the impression that racism was an issue of yesterday. For me as a Black woman, I do not feel that– I am black 24/7. 

    It takes a toll on me since it feels like we are going backwards. It feels like people who aren’t BIPOC think I am being ”too sensitive” or that I am ”overreacting” when they are only able to say this because they are white. It’s disheartening to hear these defensive rebuttals as they truly emphasize some of the racial bubbles some of my white counterparts are living in.

    In summary

    Racial burnout is real and having to recount trauma’s and sitting down having to explain that something was racist is painful and mentally draining for the ones who actually experience the racism. 

    As a Black woman, racism is everywhere for me no matter where I am, that’s how deeply rooted it is. As a result, having to encounter it and learning how to deal with it from a young age has taken a toll on my mind, in the way I present myself and navigate life as a person with melanated skin.

    We deserve to rest and peace, and white supremacy is stopping us from getting to that. We deserve to be heard, seen and amplified.

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    Photo by ArtByPrincella on Instagram

  • Love Your Past, Embarrassing and All

    July 3rd, 2021

    There is a great emphasis on change as we grow into young adults; adapting to changing surroundings, friendships, priorities and ultimately changing selves. Yet, I rarely hear of loving our past selves who are not actually fully abandoned as we “grow-up.” They are still foundations for our new beings, so why can’t we celebrate and love them too? While I think it is healthy to embrace your new self (yay growth!), it is just as healthy to recognize that the person you once were can also have attributes to take pride in. As a matter of fact, I think doing so would prevent us from having grave existential crises when we recognize we have changed. As you shift into a person that you are proud of, you must not forget loving and forgiving yourself through the growing process.

    Probably reinforced by the start of the college process, I’ve been having a real questioning of who I am. At this very moment, I don’t think I know. But I’ve been trying to embrace this process just as when I thought I knew myself. I’ve been learning to love self-critiquing and actions that seem out of character. I’ve been embracing “the flow” of life and giving myself the grace of being a teenager, being a student of experience and of the world. But more and more, I’ve been learning to appreciate who I once was. 

    The hope is that we are becoming better versions of ourselves as we grow-up. As you get older, your actions are determined by a lot of external influences, but they are also reflective of the development of your brain. It’s true, your brain isn’t fully developed until you are around 25 years old. And even more, an adult closer to 25 thinks with the prefrontal cortex, the rational part of the brain that “responds to situations with good judgement and an awareness of long-term consequence.” Teenagers, however, “process information with the amygdala,” which is the emotional part of the brain. While both the emotional and rational parts of our brains are developing, the emotional part is developed at a faster rate than our rationality. And so, when you look at things you have done in pure horror or embarrassment, there is a science to your actions. You simply couldn’t have been thinking as logically as you currently do now, in the past. 

    But with this greater understanding is a new forgiveness you should grant yourself. In many ways, forgiving your old actions will allow you to “grow from them,” and essentially depart from who you were. But, I’m also challenging you to look at your past self not as a completely separate being, but someone adopted into who you are today. Someone who has been improved. Your past self is someone to criticize and appreciate growth from, while loving them for getting you to where you are. There should be an appreciation for the experiences you were exposed to, the ones that gave you enough insight to not want to repeat, insight into the person you do not want to be. There should be a love and tenderness shown to your past self, for recognizing their youth and immaturity. 

    Honestly, you want to start reflecting on your far past tenderly now, so you can be kinder to yourself about your actions yesterday, last week, and last month. So you can forgive yourself for “smaller” mistakes like procrastinating, incomplete chores, not being your best self. Reflecting with tenderness is not about giving yourself excuses for your past actions, but for understanding enough to forgive. 

    Reflection of the past is also about recognizing that who you are at any point of your life needs love. And for even when you don’t fully know yourself, you should love and appreciate your existence alone. In the near future, when you realize you have changed from who your current self is, you will still be greeting your present self with complete love. Though you likely will look back and justifiably criticize your actions, you will assert yourself that all the beings you were dignified. This notion will also better assess your relationships with others, especially those relationships that you are only holding on to because of longevity. When you remove time and simply analyze if people of your past were treating you then with the love you deserve, it can be very telling about where your relationship now should stand with them. 

    But even more, you might discover that you weren’t loving yourself right at the time. It’ll give you a chance to rethink what your relationship to yourself was when you were younger and why that was. It might even let you know more things you need to work on now to fully love yourself right. And as you think, if you realize you were loving your past self in the past, love your past self in the present. 

    We should be grateful for the human ability to grow, to change and to be better. But in a mission of self-discovery, belonging and self-love, you must learn to backtrack and love all of you. That means looking at a past self who embarrassed you, seeing their full humanity at the time and their redemption in your present being. It’s a beautiful circle to observe, and I think it’ll make you love your present self even more. You are the most conscious, mature, and best version of yourself that you have ever been in your lifetime. And still, this you will grow into an even more fleshed out being with your future self.

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    Source 

    • https://www.urmc.rochester.edu/encyclopedia/content.aspx?ContentTypeID=1&ContentID=3051

    Art Credits: @p__loki on Instagram

  • Do the Right Thing: A Lesson on Empathy

    May 23rd, 2021

    Do the Right Thing is a comedy/drama movie created in 1989. The movie focuses on the day-to-day activities of different people in a predominantly Black community and their rivalries with neighboring non-Black business owners. 

    The main character in the movie, Mookie, is played by Spike Lee. He works as a pizza delivery boy for an Italian man named Sal who owns a family-run pizza place. The community loves Sal and his pizza place, they claim to have grown up loving Sal’s pizza and Sal speaks very highly of everyone in the community. One of Sal’s sons, Pino, has an unexplainable hatred for Black people. He is seen many times trying to urge his father to move the family business to an area without a high population of Black people. Sal expresses disappointment at Pino’s hatred for the people in the community and continues to show kindness to everyone that goes to his pizza place.

    Trouble emerges one day when a boy in the community, Buggin’ Out, visits Sal’s pizza place as he normally does. He notices the portraits on the “Hall of Fame”- a wall in the pizzeria with pictures of Italian people that Sal admired. Buggin’ Out requested that there be pictures of Black people on the wall as Sal’s business prospered from the Black people who went there to eat-which was a fair point. Sal immediately refused and dismissed Buggin’ Out’s request. 

    Screen capture from Do the Right Thing, retrieved from Medium.com

    This was a critical point in the movie for me as I feel that it is something that many people of color (especially Black female activists) experience. I have seen too many times people of color attempting to inform white people about things that may be racist/offensive, and those white people completely dismissing the opinions of the person of color as if that person of color is not qualified to speak on an issue that directly affects them. Situations like this are especially frustrating as it becomes evident that the white person in question is not accidentally doing something offensive/racist, but they are choosing to be oblivious and bask in ignorance by ignoring the words of a person of color who has the knowledge on things that they may not have. 

    As the movie progresses, Buggin’ Out attempts to recruit people to boycott Sal’s pizza place until pictures of Black people are put on the hall of fame. Mookie encourages him to drop the situation. People ignore him, telling him that the hall of fame wall is no big deal. It isn’t until Buggin’ Out and a friend of his approach Sal demanding for new pictures to be put up that people see Sal for who he truly is. From the beginning of the movie up until that moment, Sal is portrayed as a man who has nothing but love for the people in the community; in fact, viewers may even think that Buggin’ Out is in the wrong as Sal is made to be a reasonable man just choosing what he wants and how he wants it.

    Sal’s inner hatred for Black people arises when he finds himself cornered by the people urging him to add Black people to the hall of fame wall. He begins to show serious acts of violence and spew racial slurs. This was another important scene in the movie. I almost felt bad for Sal in the beginning, I saw him as the “nice guy,” the “ally”. It did not phase me when he ignored the request of Buggin’ Out. This scenario is very common in the world we live in.

    “Allies” claim to have so much respect and support for marginalized groups until the people in the marginalized groups state their concerns. I do not say this to demean white allies, but I say this to say that any ally who cannot truly listen to the words of a person of color and take those words as they are is not a true ally. Choosing to ignore the cries of marginalized peoples and claiming to be in support of them is the epitome of impiety. Those who do so show that their cluelessness is not of an innocent origin, instead it is a sort of premeditated benightedness. 

    Screen capture from Do the Right Thing, retrieved from Medium.com

    The rest of the movie is pure chaos, all of which could have been avoided had Sal listened to Buggin’ Out or at least had a bit of empathy and put himself in the shoes of the Black people that would eat at his pizzeria; constantly supporting his business with no requests other than representation in the place that only succeeded due to Black people being willing to buy from his pizzeria. If he had shown any of that love he claimed to have for the Black community from the beginning things may have ended a bit differently. 

    This is a movie that I urge everyone to watch. It is a masterpiece on violence vs. peace in the presence of overwhelming anger. I was actually surprised at how accurately the story matched the events that have happened in the past year with the Black Lives Matter movement. This movie serves as a lesson for all, especially those who are not people of color but want to be allies or supporters. Do not silence or suppress the voices of people of color to maintain a feeling of innocence. Educating ourselves every day is the only way to grow and become better people. As a wise man once said, 

               “Empathy is the most essential quality of civilization” – Roger Ebert

  • The Push Against Anti-Racist Education

    May 16th, 2021

    The Black Lives Matter Movement of this past summer forced several educational institutions to push for changes in both their curricula and culture that should have occurred long ago. Several primarily white institutions, or PWIS, have released statements committing to diversity, equity, inclusion and anti-racism. Among these institutions is Dalton, an elite New York City K-12 private school located on Manhattan’s Upper East Side. Recently, Dalton’s faculty released a list of demands regarding anti-racism and the promotion of structural equity, separate from that of Dalton’s anti-racism and diversity, equity and inclusion statements.

    The demands are extensive, with faculty citing a need for full time diversity officers, the requirement of courses that challenge white supremacy, required faculty anti-bias training, the establishment of a clear system for reporting instances of racism and many other necessary changes to Dalton’s culture. Simply put, the demands are a call to advocate for the needs of Black students and faculty, as well as the fostering of an environment in which both students and faculty are equipped to handle and engage in conversations about race. They are a reasonable request to support and enable the safe existence of Dalton’s Black community members, and unsurprisingly, this request was met with opposition.

    The opposition took the form of an open letter, authored by anonymous Dalton parents titled Language of Loving Concern @ Dalton. The parents describe Dalton’s new commitment to anti-racist education as an end to Dalton’s previously “joyful, progressive” mode of learning; one of the many reasons for their claimed necessity that Dalton place a hold on any and all lessons relating to anti-racist education. The letter’s authors referred to social justice as “at most, one part of the educational world”, and it is in this aspect of their overwhelmingly racist argument that their privilege could not be clearer. Social justice is not merely “one part of the educational world” for Black people, it has been ingrained into us since our birth into an inherently racist country. It extends past an educational experience, and to a means of protecting our selfhood. It is not a ridiculous notion to suggest that white children be expected to learn about what Black children have no choice in enduring.

    When Black students inhabit educational institutions that were not created with us in mind, students bravely tend to push for structural changes, as Black Dalton students have. However, the idea that Black students should be grateful for their presence in white spaces, and that this gratitude prevents them from critiquing these spaces, has led to anger in some readers of the faculty demands. The demands were posted (and critiqued) by the Naked Dollar, a blog which often finds reasons to discredit efforts towards equity and inclusion. Under the demands, Naked Dollar reader Caleo commented:

     ““You people are a joke, blowing millions of dollars so you can pat each other on the back about how sophisticated and progressive you are, while getting screamed at by spoiled Black brats about how oppressed they are by being gifted the opportunity to teach at or attend this upscale ‘school’.” 

    Spoiled Black brats. To the Dalton parents wondering why anti-racism is crucial, this is it. Black students have to deal with comments such as these, and far worse, regularly. It is not a choice nor a lesson plan that we have the power to put on hold, it is our reality. Your worst fear is being “branded a racist”, while Black people have lived through incomparable instances of trauma. Most Black children have firsthand experience with instances of bias, racism, bigotry, and you find yourselves threatened by the requirement to learn about it. An anti-racist education is not a personal attack, it is an effort to better both the community and the individual.

    A diverse, race-focused curriculum has numerous benefits, for both Black and white students. A study performed by Claremont McKenna University concluded that diverse curricula has overwhelmingly positive social and emotional effects for students of color, and causes a recognizable appreciation for cultural difference in all students. These types of curriculums grant students the opportunity to engage in cultures different from that of their own, different from the “Dalton curriculum” that parents wish to revert to.

    A survey conducted in the Cambridge public school district, one of the most diverse districts in both student population and curriculum, found that students felt a high degree of comfort working with individuals of different backgrounds, and were able to recognize the existence of racial disparities within their school and potential solutions for change. Diverse curricula creates forward-thinkers, it promotes the joyful learning environment that the authors of Language of Loving Concern @ Dalton claim to be losing.

    Black students have already begun the work of challenging racism once again, with the New York organization Black Students Demanding Change, which has partnered with independent schools across the US to promote inclusive education, writing a powerful response to the anonymous Dalton letter and creating a google form for signatures of support. It should not be the work of Black students to make our high schools more equipped to support us, but it is the work several of us choose to take on. Anti-racist education should not be a debated request, it should be implemented into every school’s curriculum, private or public, primarily white or diverse.

    It is ignorant for Dalton’s anonymous parent community, for anyone, to expect to be exempt from engaging in conversations about race in a racist country. Language of Loving Concern @ Dalton reads, “We have forgotten that before being an “anti-racist” institution, we must be an educational institution.” However, it is the authors of the letter who have forgotten that an educational institution is an anti-racist institution.

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    Image credits: ABC news illustration, published on GoodMorningAmerica.com

  • How Reality Court Shows Exploit Black Communities

    May 9th, 2021

    As I got ready for school, dramatic TV-court shows like Paternity Court and Divorce Court, or “chat” shows like Maury served as background noise. Yet, these shows display and, quite frankly, exploit problems that are anything but in the background of Black communities. As I watch the shows for the dramatism that makes them entertaining, I can’t help but notice stereotypical and damaging portrayals of Black women, Black love, and Black family structures. 

    Divorce Court, a 36 season TV-series dating back to 1975, claims to deliver “powerful human drama, suspense and a resolution – making for a compelling 30 minutes of television.” Yet, it accomplishes this mission while profiting off the damaged relationships and dangerous dependence (financial and/or romantic) between couples, especially among young Black ones.

    In the episode Coleman vs. Wyatt, Laquia and Joseph had been together for 14 years and married for 7. Laquia opens with, “I’m here today because my husband is a cheater and a pathological liar. I kicked him out of the house because of all the lying, all the cheating. I see myself spending all the rest of my life with him, if he changes. But, I don’t think that that’s gonna happen.” She continues to explain how he often leaves home for prolonged segments of time, even when she desperately needs him. When she called him in need of comfort and aid during a miscarriage, he stayed at the bar and didnt help her, because “he was not a doctor, he can’t stop it” and told her to handle it. Joseph blames his actions on her jealousy and suspicious relations. He also claims that her assumptions about him cheating due to his past actions are making their relationship weak.

    Though the couple is separated to divorce, Laquia still says that love is keeping her from fully leaving. And evidently, they’ve come on Divorce Court in hopes to redeem this relationship. Judge Lynn Toler ultimately told them she has faith in the restoration of this relationship. Yet, how with these obvious signs of infidelity, insecurity, toxic dependence and physical assault? Joseph gaslights Laquia for her distrust and anger even though he gave her reason not to trust him. While he is the root of her insecurity, he bashes her for being the very person he caused her to be. This is unsurprising though, as gaslighting is a common manipulative force in most damaged relationships. Conversely, this insecurity led to both physical and verbal violence from Laquia toward Joseph, heightening the danger of this union. Nevertheless, there is a dependence and hope from both parties in the relationship, speaking to lack of self worth and incapability to leave abusive relations. There is a clear lack of respect and anger that is confused for passion. The normalization of abusive relationships in the media especially, can make it hard to even recognize that a relationship is so. The longevity of this relationship, also perpetuates the “ride-or-die” belief.” 

    Still, none of this was discussed on Divorce Court. Judge Lynn Toler encouraged this behavior, in a household of children who will have to grow in this toxic environment. I suppose she doesn’t always have to think about the children, which is why there is a Paternity Court.

    Lauren Lake’s Paternity Court, a court-show currently in it’s 7th season, states that “these emotional cases can have life-changing consequences for participants and sometimes new beginnings for individuals. While most suits relate to a child’s paternity — including deadbeat dads and DNA-test determinations — others involve things like grandparents fighting for visitation rights.” Sure, this court does deliver paternity truths that change configurations and doubts within families. However, it exploits the instability of Black households (majority of the features on the show), an issue that stems from slavery. The show often features single mothers who also grew up with absent fathers.

    In the episode “Jones v. Fowler,” Iesha Jones grew up without her father, and wanted to end the cycle by making sure the supposed father Jonathan Fowler was in her son, Adonis’s, life. She says that Jonathan is not present in Adonis or their other child’s life, and that he is only around for sex when he is drunk. She proceeds to say that she loves him and wants to be a family, to which he responds “I don’t love her. I don’t wanna be in a relationship with her.” They had been sexually active for the window of conception, yet he doubts paternity because he thinks she slept and conceived a child with her ex-boyfriend. Iesha says that Jonathan disrespects her in front of the boys, which is not surprising if he could do it on national television. At the end of the episode, Jonathan was not Adonis’s father. Iesha claims that this will be what she needs to detach herself from Jonathan, but that seems unlikely with their past history. And now, just as she grew up not knowing her father, her son will have to go through the same experience.

    Throughout the episode, Iesha refers back to Jonathan’s statement that he doesn’t love her, and asks “why would you sleep with me if you don’t love me.” Judge Toler redirects the bickering to how it surrounds two innocent children in a toxic household. The judge emphasizes that the two are not good for each other, which triggers Iesha into an emotional cry. Despite her anger and hurt, Jonathan failed to blink an eye. He has managed to use Iesha at his disposal, given that she is clearly emotionally attached and suffering from low self-esteem issues. She doesn’t have the self-love it takes to create boundaries. This dependences on men are psychologically common amongst children who grow up with absent fathers, along with self-esteem issues, depression, becoming sexually active earlier, heighten susceptibility to addiction, and difficulty navigating relationships.

    According to Our Everyday Life, boys specifically, like Adonis, who grow up with absent fathers tend to have negative behavior, difficulties bonding, emotional distress and anger. This common trope of absent fathers is not a complete and accurate reality of all Black families. Yet, for those it is, it often finds route in the separation of families during slavery and the fact that Black men weren’t given the chance to be fathers. As Judge Lauren Lake attempts to resolve holes in families due to systems issues bigger than themselves, it does also unfortunately exploit their vulnerability and problems. Yet, we may assess the intent of her and Judge Lynn Toler as Black  women, differently than Maury, a white man, profiting off the same issues.

    Maury is a 23 season chat show that features hour long episodes who aim to “tackle volatile issues with his guests and studio audience.” Majority of the guests on Maury are young, troubled Black teenagers. Maury exploits damaged Black family structures through dramatized scenes of stereotypically loud overreactions that ensure high TV-ratings. 

    A Complex article writes, “Maury’s eponymous talk show has faced plenty of criticism since it transitioned from serious news topics to tawdry, mean segments that perpetuate racist stereotypes…. The dramatic reading of the DNA results is followed by even more dramatic reactions, which range from tears to screams to breakdancing.” On Maury, a young woman is often defending a case as to why she thinks the defendant is the father. Maury is either sympathetic or laughing at the situation. Then, the alleged father comes out shouting and denying the claim. The crowd makes a prediction through boos and nays, before Maury reads the DNA results. Depending on the results, the people either yell “I told you so,” or run away from embarrassment. 

    This show is clearly exploiting the damaging systemic family structures within the Black community. Daily Easter News states, “This show seems to change people. Couples who said they once loved each other end up yelling and cursing at one another to prove a point on TV that they were right…. [It promotes] chaotic behavior. Instead of simply telling these people the truth, Maury and the audience basically pit the couples, or friends or family or whomever, against each other so the final verdict is more entertaining. On top of the sensationalism, the show targets minorities and those of the lower rungs of society for its entertainment.” And why exactly is it that the majority of the features on Maury are Black? And why are we ok with a white man profiting off the pains and trauma within Black families? 

    Certainly, all the three mentioned shows profit off the televising of problems from majority Black guests. It is important to recognize that these shows are contributing to the commercialization of Black trauma found within Black love and Black family structures. They often present Black women in a demeaning light that doesn’t allow them sexual liberty, emotional independence or the ability to seek self-love, and that needs to change.

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    Art credits: Stormy Mae Nesbit, @_stormae on IG

  • Hair Days

    April 30th, 2021

    Since I was a little girl, Sundays were my hair days. Starting at the age of four, I have shared locs with the many members of my extended family- from my 70 year old step-grandmother to my 27 year old uncle. My hair also created a guaranteed moment of connection between my mother and me each week: Sunday nights entailed sitting cross-legged on the floor, the sweet smell of hair oil filling the air, with an itch on my scalp persisting as my locs twisted in my mom’s slender fingers.

    I knew that the twists or cornrows would ensure a restless sleep that night; my pillow was never soft enough to overcome the feeling of hair clips poking my head, or the tightness of fresh cornrows. Though I hated sitting cross-legged on the floor as a child, I grew to miss these moments of togetherness as I grew older. My Sunday hair ritual has changed as I grew into a tween and eventually a teenager, but it has undoubtedly remained a constant presence in my life. 

    Twist-outs were my first venture into styling my hair on my own, a form of independence I had not previously known. Surprisingly, many people thought that my hair was naturally curled in smooth ringlets. In reality, if I left my hair untwisted, my locs would knit together at the root. Twist-outs are a three step process: washing, moisturizing, twisting. Nothing can teach patience like carving out three hours every Sunday morning to transform each loc into a tiny twist in preparation for the next week’s events. This style was a staple of my late middle school years, and I brought it with me to high school. 

    When I look back at old pictures, I can almost always pinpoint when it was because of the constantly changing hairstyles. Though locs are widely considered a permanent hairstyle, I am determined to change my look as often as I can. Locs can be a difficult hairstyle to live with because of the stigma they carry. I have memories of being asked by white classmates if I ever washed my hair, or if it was dirty. What I had initially seen as beautiful turned unkempt in the eyes of others, and I began to wish for normal hair (whatever that means) so that I could fit in with the other girls. I had to learn how to appreciate my hair in different styles, while also accepting it in its natural state. 

    Today, my hair ritual looks much different than it did for me as a child, but it serves the same purpose. My ritual, and my relationship to my hair, changed significantly in my sophomore year when I discovered how to do box braids. The value my family placed on embracing natural hair meant I had to look somewhere else to learn a protective style. For the first time, I searched through the natural hair communities of YouTube and Twitter. In my pursuit for hair advice, I had found a space where my identity felt validated, where I could find confidence in my long-internalized insecurities– the coily texture of my hair, the darkness of my skin, and the shape of my nose. Just as Sunday hair nights brought me closer to my mom, learning hair techniques online helped bring me closer to my identity as a Black woman.

    There are still moments where my hair makes me cry in frustration, when I am overcome with envy of people with looser curl patterns and more socially acceptable hair (again, whatever that means). But I work each day to remind myself of the intrinsic beauty of Black hair, the power and togetherness brought by years of being told that our hair needed to be changed. Wearing Black hair unapologetically feels like a symbol of strength. My locs dismiss stereotypes by telling the world that girls with locs can be intelligent, girls with locs can be kind, and girls with locs are beautiful.

    My hair rituals were born on the carpeted floor of my mother’s bedroom each Sunday, but I know that they will continue to evolve wherever I go and whoever I become. I, like my mother and grandmother, am a woman with locs, and I am proud to be one.

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    Art Credits: Halimah Smith, @artpce on Instagram

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    Hey all! This is a really different article than something I’d usually write– much less facts-based and more in a creative writing style. I’ve been struggling with writer’s block for quite a while now, and hoped that publishing something, even if it was super different than my usual stuff, would help me get back on track. Thanks for reading!

  • Dealing With Black Trauma

    April 23rd, 2021

    This past month has opened my eyes to see things in ways I did not see them before. This month has also felt like a never-ending cycle of bad news. Every time I see a new racially motivated attack/shooting I find myself not even being able to react. The word I would use to describe my emotions is defeat. It feels defeating knowing that every 2 steps forward are another 30 steps backwards.  There has been so much uncertainty and unrest within the Black community but there is one thing I have learned, and I know for certain: It is okay to be angry. It is okay to want to scream or cry or shut everyone out. I would even advise that young Black people take time for themselves to process all that has happened or talk to people who can relate. 

    Every new headline of a racially motivated crime came with an overwhelming sadness in the bottom of my heart. I tried to put up a front after events like the death of Breonna Taylor, George Floyd, and Ahmaud Aubrey, but there were days that I walked around with a heavy heart and a smile on my face. There were nights I could not sleep but I would stay awake hearing George Floyd calling out for his mother seeing my friend or my brother or my family member in him, or picturing Ahmaud Aubrey fall to the ground. The unrest that I felt and still feel thinking about Adam Toledo is so loud in my mind that it hurts. Unfortunately for a long time I thought that the pain I felt was unjustified. 

    My heart is pretty broken tonight. I don’t want more hashtags. Or more awareness. I want it to end.

    — quinta brunson (@quintabrunson) April 21, 2021

    Talking to my fellow Black friends made me realize that I was not the only one who felt burdened by all the things happening around me. I also was not the only one who felt that they weren’t justified in feeling those things. I felt selfish for feeling that way, that I should just be grateful that it was not me or my loved ones, I felt that I had every reason to cherish the life I still had, and my despair was unwarranted. Discussions with other people showed me that every other Black person around me felt the same way. It was sort of a unanimous pain within the heart of every Black person I spoke to. The same “survivors’ guilt” took control of their lives too. Some of my Black friends mentioned the trauma they endured just by watching the events caught on camera. 

    It is okay to not want to watch racially motivated deaths. It is okay to be angry. It is okay to feel drained or feel tired or feel the weight of the world on your shoulders. It is okay to not want to talk about these things if they are too much to handle. It is okay to be scared and uncertain. It is okay to feel overwhelmed. It is okay to feel that you have experienced trauma despite not going through those events yourself. It is okay to still feel unrest even after “justice has been served” like in the case of George Floyd. 

    View this post on Instagram

    A post shared by saddie_baddies ™ (@saddie_baddies)

    Most importantly it is okay to let your emotions be seen. Like Petiri wrote about in her recent article, we must end the “strong Black woman stereotype,” and this also applies to men, to any Black person out there. It’s okay to not be okay. With everything that has happened, I can say without a doubt that we have every right to not feel strong or empowered sometimes. 

    I encourage everyone- young Black boys and girls alike to take time for yourselves if necessary. Do not feel obligated to always be on the front lines fighting so hard to breathe at every moment. Your trauma is valid and real. Do not try to be strong for others, but do so for yourself. Love and care for yourself even when it seems as if others would not do the same for you. 

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    Art Credits: Melissa Koby, @mkoby_ on Instagram

    To engage further with this topic, please be sure to check out “Being a ‘Strong Black Woman’ Dehumanizes Me” by Petiri Ira, also published here on Dear Dark Skinned Girl.

  • Black Life In The Spotlight Of Literature

    April 11th, 2021

    The Black experience has often been not diverse in media and literature. We have been portrayed as drug dealers, drug addicts, criminals, or impoverished athletes who find miraculous success at the hands of a generous white coach. Black characters, when included, have been one-dimensional figures within white narratives. 

    However, increasing numbers of Black literary minds and directors have made conscious efforts to diversify the narrative of Black people within the last ten years. Angie Thomas, a Mississippi native, has been one of the literary minds working to promote and explore the complexities of the Black experience. 

    Thomas’ first novel, The Hate You Give, became widely known after its movie adaptation was released in 2018. Starr Carter, a teenage Black girl and the novel’s protagonist, finds herself caught between the worlds of her mostly Black Garden Heights neighborhood and her newer, and whiter private high school. Starr is witness to the police shooting of her childhood friend Khalil, and it is from this event that Starr’s examination of herself and the unjust society in which she was born stems.

    It is an examination that most Black girls will indulge in, that I have indulged in. To fit within a white space, a space which was never meant for you, often feels like a compromising of your Black identity. It requires code switching, which we feel is necessary to survive in spaces in which we are isolated or few in numbers. When we are faced with instances of police brutality,  Black pain, and Black oppression within these spaces, we ultimately feel alone and bare. Thomas grants us the opportunity to be recognized. The opportunity to find our voices, in whatever capacity that means for us. 

    Although on a larger and more traumatic scale than many of us may experience, Starr finds her voice within the novel. Being immersed in your Black identity and existing fully within a white space are not mutually exclusive. Our presence in white spaces is strengthened when we are immersed in and appreciative of our Black identity, and this lesson makes The Hate You Give a necessary read.

    Most recently, Thomas continued her intricate storytelling with Concrete Rose, a prequel to The Hate You Give focusing on Maverick Carter, Starr’s father. The Hate You Give introduced Maverick as a hardworking and loving father, who works to instill these values in his three children. Concrete Rose tells the story of how Maverick overcame toxic expectations of manhood and gang rules, to become not just Maverick Carter, but a father. 

    There is a common ideal of Black manhood, one that is rooted in violence and aggression. Maverick is taught, and initially believes, that being a man is tied to his loyalty to the King Lords, the fictional gang within the novel. His premature push into fatherhood drives him to reconsider his definitions of manhood, and perceive himself as the multifaceted individual that both his girlfriend Lisa and the reader see him as. 

    Concrete Rose explores the safety that is often attributed to gang life, along with the limitations of it. Thomas does not reduce the members of the King Lords to criminals, she recognizes Maverick and his friends for what they are, children. Children who were not given an early enough opportunity to do something meaningful, something other than dealing drugs or engaging in violence. While demonstrating the cyclical nature of poverty, gang activity, teenage fatherhood, and mass incarceration, more importantly, Thomas showcases that breaking the cycle is possible. 

    Maverick’s recognition of manhood as a delicate learning process, instead of a title achieved by an aggressive course of action, enabled him to begin the journey in becoming the man he wanted to be, and the father he knew his child needed. Manhood is a knowledge of the self. It is knowing how to be there for yourself, how to care for yourself, and it is this knowledge that allows for the caring and providing of others that is so often associated with manhood.

    Angie Thomas presents the Black experience in a raw, unfiltered way. She gives the Black community the gift of seeing ourselves represented and in this gift comes a responsibility for us to self reflect. Thomas showcases Black manhood, Black girl magic, Black boy joy, and everything in between in the most descriptive and layered way possible, but she also calls out the Black community’s flaws. Angie Thomas is a critical voice for this generation. She teaches us that our Blackness is beautiful, and it is not something to hide. Most importantly, she also emphasizes that our Black community needs to grow, and that is not something to hide from.

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    Art credits: Princella Seripenah, @artbyprincella on Instagram

  • How Colorism Changed The Perception of Black Beauty

    April 6th, 2021

    Growing up in a predominantly white school, I heard “yeah you’re pretty, pretty for a Black girl” quite often. As a Black woman, that phrase left a mark- one that took a long time to heal. To put it blatantly, it’s dehumanizing and exhausting to hear.. The statement “you’re pretty for a Black girl” is often used to “compliment” Black girls, but in reality, it’s extremely backhanded. This phrase implies that in comparison to the rest of the women in your demographic you are the only exception of beauty.

    Oftentimes the media portrays most Black women as having fair skin and loose wavy hair. Picture Zendaya for example, a biracial woman who is often deemed the most attractive in the media’s eyes. Headline upon headline depicts Zendaya as an icon, one representing Black women around the world. Agreed, Zendaya is extremely beautiful; but she doesn’t represent girls like me. Although it’s great to have a biracial actor, we should stray away from only representing Black women as one type: fair-skinned & loose curled. The fact is, portraying Black women as one phenotype has allowed colorist ideas to foster.

     This is problematic for many reasons. For starters, the portrayal of Black women as one type has led many to only find beauty in fairer tones, as well as only push lighter skin Black women in the media. By only deeming light skin women “worthy of being portrayed”, the entertainment industry fails to acknowledge the beauty in dark-skin women. If the onscreen representation of Black women isn’t diversified, the appreciation for other skin tones depletes. In addition, the lack of representation causes an increase in self-deprecation: this can be seen in those struggling with internalized racism. When dark-skin women are on television, they’re often given side roles.

    i don’t think people who consistently have representation should speak about representation unless it’s for the underrepresented.

    — nay (@chaoticblkgirl) March 16, 2021

    Take for instance Coco Jones, a Disney star whose career skyrocketed after her role in the hit TV movie “Let It Shine.” Jones mentions in one of her YouTube videos that part of the reason she didn’t receive many acting roles after Let It Shine was because of colorism. Jones said, “if somebody else looks a little more marketable, it doesn’t matter how much talent you have.” Jones claims that casting directors displayed bias when it came to providing her with roles. They would often select actors based on skin tone, rather than talent. This is very common in the industry and can often lead to situations where only one type of Black woman is cast…the one with lighter skin.

    The sad thing is, the fact that this is so common means that dark-skin women are constantly being denied roles because of the biases in the entertainment industry. This devastating fact just proves that darker skin women- like Coco Jones- are disproportionately excluded from opportunities due to the large part that these biases have to play.

    View this post on Instagram

    A post shared by Coco Jones (@cocojones)

    Casting girls that are not based on talent is extremely detrimental for dark-skin girls who are trying to “make it” in the industry. Thousands of dark-skin women are being denied roles simply because of their appearance. But, what can put an end to these discriminatory biases? If anything, casting directors need to take accountability for the part they play, and continue to play, in colorism. Representation matters and will ultimately help end internalized colorism, which fosters due to the lack of dark-skin representation in popular media. 

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    Art credits: Reyna Noriega, @reynanoriega_ on Instagram

  • No, Black Women Are Not “Bitter” About Your Interracial Relationship

    March 29th, 2021

    A Black boy on Tik Tok writes, “No hate but everytime I say I like white women, Black women always say to me ‘coon,’ ‘no taste,’ ‘go with those slave masters.’ But if I say I like Black women, white girls just say ‘oh ok.’” 

    The problematic notion that Black women are bitterly defensive when Black men state a preference for white women is one desperately needed to be addressed.

    To set the foundation for this conversation, race based preferences are objectifying. You are giving into racial stereotypes to believe that all individuals within a racial group have certain desirable characteristics. You have an expectation of how people of a race look and behave, though race is not genetic. 

    When expressing a racial preference for white women, Black men state the desirability of white women in contrast to the undesirability of Black women. They claim that white women don’t have the ghetto or problematic behaviors that Black women stereotypically have. Oftentimes, the preference of white women doesn’t have to do with white women at all. It is most used to weaponize Black women with harmful stereotypes. It is rooted in a generalization that all Black women have certain bad characteristics, and the assumptions that no white woman will.   

    People who still act like BW aren’t dangerously hated are beyond delusional at this point. Social media alone, there are pages literally dedicated to hating BW. Y’all sit up here and talk about BW daily, crack jokes about BW’s trauma, it never ends. It literally never ends.

    — Challan (@challxn) July 17, 2020

    The perceived undesirability of Black women is similarly influenced by sexual racism. This is a societal and individual sexual rejection of people of color or the minority within a space. The term sexual racism was coined in 1970s to prevent interracial couples, yet is still actualized by stereotypes in the media today. While presenting white women as beautiful, feminine, and desirable, Black women are ghetto, bitter and masculine. Notice how the Black man who wrote this original quote reinforces the angry Black woman trope. 

    In addition to this problem, racial preferences become exclusionary. A preference is defined as “a greater liking for one alternative over another or others.” Having a preference for something does not mean that you would only exclusively engage with that preference. More often than not, people who claim to have racial preferences aren’t really talking about preferences. They would never consider even dating a person from a certain racial group.

    This is rooted in generalizations based on stereotypes that all people from a certain race act the same. That’s beyond damaging. Not only do you miss out on incredible people because of stereotypes, you manage to judge someone solely off their race.

    There is also a very fine line between “racial preferences” and racial fetishism, where you once again prioritize your attraction to an individual based on their race. This demands that your romantic interest exudes the expected traits from your idealization of their racial group, even if it is unnatural to them. In this instance, you take away their individuality, just as when people have racial preferences. This is not all to say that interracial couples are bad. However, if your interest in your romantic partner includes a fixation on their skin color, it is. 

    The blanketed statement of “I like white women” or “I like Black women” is unnecessary. But as we see that “I like white women,” is often only used to demean Black women, it is understable why a Black woman would be defensive about being stereotyped. That is a defense of their individuality and character. It debunks the herd mentality that all Black women are monolithic. The problem isn’t really the fact that you don’t like Black women, it is that you bring them down in explaining why you like white women. And almost always, that is the case.

    i really struggle with the “black women are bitter” narrative. no one understands how hard it is to NOT be especially when everyone is against you.

    — 🌞 (@chellyyyyx33) May 29, 2020

    In addressing the second notion that white women are nonchalant about Black men dating Black women, it is natural for people to be attracted to cultural familiarity. It is comfortable to be with someone who understands your cultural background and shares similar customs. If a Black person likes to date other Black people, it’s because they experienced similar experiences, don’t feel the need to over explain their existence, and may feel better understood. It isn’t about someone’s skin color as much as it is their culture and experience. In addition, stating that you like Black women is never accompanied with bringing down white women. The white woman is not being attacked with negative stereotypes.

    Contrary to the comments under this video, Black women are not guilt tripping anyone into liking them, they aren’t over exaggerating the hate they get, nor are they insecure (that’s implying that there is something to be insecure about). 

    Listen to the experiences of dark skinned women without gaslighting them and painting them as the “angry jealous black girl”.

    — Maya Angelique👑 (@moneyymaya) July 25, 2020

    Rather, it is a simple enough task to stop degrading Black women every chance you get, then proceed to gaslight them when they speak up. If you choose to have your racial preference of white women, find a real reason for doing so without bringing Black women down. It is absolutely exhaustive having to fight off stereotypes from both outside and within our community. So, respectfully, stop with the obsessive behavior and leave Black women in peace.

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    Art credits: Destiny Darcel, @destinydarcel on Instagram

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